Showing posts with label blazon. Show all posts
Showing posts with label blazon. Show all posts

Monday, June 13, 2016

What Is It About Using Complex and/or Archaic Blazon?


I've been trying to make good use of my "extra" "free" time now that I have retired, and have been working away at several projects I've wanted to do for some time.

One of those projects is a database, if you will, of heraldry used by Americans from colonial times until well into the 20th Century. I'm doing it mostly for my own heraldic research purposes; I thought it would be handy to have a listing that could be sorted alphabetically by surname or searched by the colors and charges on the shield, something that would be faster than looking through most of the books of American arms that I have, many of which are not arranged alphabetically (yes, I'm looking at you, John Matthews, and your Complete American Armoury and Blue Book).

But one of the things that's starting to annoy me a bit is the inconsistent usages in the blazons of all of these coats of arms. I'm not just talking about the sometimes confusing use of "of the first," "of the second," "of the field" that we often find in blazons. (This is, of course, an annoyance, requiring one to go back and re-parse the blazon to that point to try to determine what color is being referred to, and many times that color cannot be the correct one. I'll probably never understand why someone thought that repeating a tincture was such an awful thing to do, to the point that they were willing to surrender clarity to avoid it, but fortunately in these modern times that usage has been falling by the wayside until now, even the venerable College of Arms in London, of whom one of their own (Sir Conrad Swan) once said, "The Kings of Arms tend to be rather like oil tankers sailing in a determined and serene manner through the ocean of life, and as a result they take a long time to change course," will go ahead and repeat a tincture in a blazon.)

No, I'm talking about the overuse of the comma by some of these authors, and the inclusion of archaic spellings for various terms of blazon.

As just one example of both of these, I offer the arms of Sullivan, cited in The Prominent Families of the United States of America, edited by Meredith Burke (1975):


Per pale sable, and argent, a fesse between, in chief a boar passant and in base another counterpassant, all counterchanged, armed, hoofed, and bristled or.

Really? "Fesse?"  Sure, Guillim's A Display of Heraldrie, 4th ed., 1660, calls a horizontal stripe across the shield a fesse, but by 1795 in Porney's The Elements of Heraldry that charge has become a fess with but one "e."

And what is with all of those commas? I could argue that all, or if not all then nearly all, of them are entirely unnecessary to understanding the blazon. I could and would, also argue that a fess between two charges don't need them specified as "in chief" and "in base" since that is where you would expect two charges, one of either side of a fess, to be located. That's the joy of heraldic defaults.

So blazon ought to be clear and concise, but also complete. "The fewer Words you make use of in Blazoning a Coat, the better it is Blazon’d.  Be cautious however, that whilst you endeavour to be short, you are not mysterious, and that you omit nothing which ought to be mentioned." (Samuel Kent, The Banner Display’d: or, An Abridgment of Guillim, 1726, Vol. 1, p. 7)

Let's try reblazoning the arms of Sullivan, above, and see if we can't make the blazon more concise while being just as clear:

Per pale sable and argent a fess between two boars counter-passant counterchanged armed unguled and bristled or.

We might, if further clarity is felt to be necessary, blazon the boars as passant counter-passant, but one would think that counter-passant should suffice, just as "combattant" is a shorter way of saying "rampant respectant" and indicates as surely, and with fewer words, that the two animals are facing different directions.

And yes, I know that I'm using the slightly lesser known - at least to the layman - term "unguled" for "hoofed," but unguled is the more usual heraldic term when an animals hooves are a different color than its torso. Modern blazon continues to use "langued" instead of "tongued," too, and both terms appear in every English-language heraldic dictionary I've found, so I don't see any reason to change "unguled" to "hoofed."

But does anyone who understands blazon think that my reblazon of the Sullivan arms is less understandable than the version in Prominent Families? Seventeen words versus twenty-five words, and no archaic spellings or unneeded commas. Shorter, but "not mysterious, ... omit[ting] nothing which ought to be mentioned."

Okay, I'll get off my soapbox now. But after having typed in literally hundreds of such blazons, and in a few cases, not being able to figure out what the tincture "of the third" was really supposed to be (since the "third" tincture in the blazon would have been color on color), I'm really tired of all of these extraneous, unnecessary commas and archaic spellings (e.g., "saltier," "chequy"). And no, I didn't keep them in the blazons in my database. Repeated tinctures when necessary, no commas when unnecessary, and standard spellings of all of the charges ("saltire," "checky") wherever possible is what's being typed in. But it's been a long tough row to hoe, and I'm getting tired of it.

Monday, May 30, 2016

A Heraldist Is Seeking Your Help


Torsten Hiltmann over on the blog Nova Heraldíca is asking for some assistance.  In his own words:

Your help is needed! Where, in your opinion, are the limits of traditional blazoning, especially if you want to apply it in different languages? Do you have any ideas and thoughts on or examples of the problems mentioned in the blog post? Please feel free to comment it on the blog (in English, French or German).

If you might have any interest in blazonry, please drop by Nova Heraldíca, read his post, and then add your own thoughts to the discussion. The post, "Heraldry as a Systematic and International Language? About the Limitations of Blazonry in Describing Coats of Arms" can be found at https://heraldica.hypotheses.org/4623

Join the discussion!

Thursday, January 28, 2016

Heraldry of the Decadence, Part 4


Coming to the conclusion of our review of some of the alternate blazon schemes suggested at times by different heraldic authors, we present you with not one, not two, not three, but four different blazon schemes based on the Virtues.

Virtues

Proposed by William Berry, An Introduction to Heraldry, 1810:

Or               Force
Argent         Hope
Gules           Charity
Azure           Justice
Sable           Prudence
Vert             Strength
Purpure        Temperance

Virtues

Found in Eugene Zieber, Heraldry in America, 1895, attributes these to “Planché’s Clark”, but I do not find them in my copy of Clark (1882).

Or               Constancy
Argent         Innocence
Gules           Magnanimity
Azure           Loyalty
Sable           Prudence
Vert             Love loyal
Purpure        Temperance

Virtues

In Pierre Derveaux, Blasons et Armories, 1987

Or               Prestige
Argent         Sagesse
Gules           Ardeur
Azure           Fidélité
Sable           Tristesse
Vert            
Purpure      

I'm not at all sure why no virtues are given for green and purple in this scheme.

Virtues

From Ferne, John, The Glory of Generositie (1586), cited in The Oxford Guide to Heraldry, Thomas Woodcock and John Martin Robinson, Oxford University Press, Oxford, 1988, p. 54; Nisbet, Alexander, A System of Heraldry, Speculative and Practical, 1722 (repr. 1984), Vol. I

Or               Faith
Argent         Innocency
Gules           Magnanimity
Azure           Loyalty
Sable           Prudence
Vert             Love
Purpure        Temperance

Many of the virtues here match those of the ones proposed in the one Zieber ascribes to Planche's Clark above, but not all, hence its inclusion here separately.

And, again, these schemes can create some very odd-sounding blazons. For example, my own arms would be blazoned by Berry as: Hope two chevronels justice between three apples charity slipped and leaved strength.

Monday, January 25, 2016

Heraldry of the Decadence, Part 3


Continuing with our presentation of some of the various blazoning schemes which have been invented over the years, we continue with the following selection:

Metals:

Or               Gold
Argent         Silver
Gules           Iron
Azure           Tin
Sable           Lead
Vert             Copper
Purpure        Quicksilver

I would note here that the Canadian Heraldic Authority has added Copper as a third metal in heraldry, along with Or and Argent. It is, however, a bright copper color, and not the tarnished copper green suggested in this blazon scheme.

Elements:

Or               Light
Argent         Water
Gules           Fire
Azure           Air
Sable           Earth
Vert             Life
Purpure        Thunderbolt

Some of those at least make some sense to me. But I had no idea that "light," "life," and "thunderbolt" were considered to be elements on their own. Earth, Air, Fire, and Water, sure, but not these other three additions. (Which they had to have in order to be able to give an element for each of the seven standard heraldic tinctures.)

Ages:

Or               Adolescence
Argent         Infancy
Gules           Manhood
Azure           Childhood
Sable           Decrepitude
Vert             Youth
Purpure        Old Age

Presumably from, or at least related to, Shakespeare's "Seven Ages of Man" which he puts in the mouth of Jacques in his play As You Like It:

"All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms;
And then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything."

Not necessarily something I'd suggest basing blazon upon, but at least it has the advantage of having seven elements to match the seven standard heraldic tinctures.

Tempers:

Or               Blithe
Argent         Phlegmatic
Gules           Choleric
Azure           Sanguine
Sable           Melancholy
Vert             Bilious
Purpure        Serious

This scheme can give you some very strange-sounding blazons. For example, my wife's assumed arms would be: Phlegmatic semy of sexfoils serious. And France Modern would be: Sanguine three fleurs-de-lys blithe. Nope, don't care much for this blazon scheme.

Flowers:

Or               Heliotrope
Argent         Lily
Gules           Rose
Azure           Blue Bell
Sable           Scabiosa
Vert             The field
Purpure        Iris

At least this scheme has the advantage of (mostly) relating the colors of the flowers to the heraldic tinctures. Scabiosa comes in a dark burgundy color that I suppose can pass for black, but it also comes in a light blue color, which could be confusing for those more familiar with the flowers than with heraldic tinctures.

And, too, if you have a coat of arms with flowers on it, or a badge even, such as the Tudor rose, it could end up sounding really weird: A rose rose charged with another lily (or, On a rose rose a rose lily). And heaven help you if you've got a lily of any color but white.

Numbers:

Or               1, 3
Argent         2, 12
Gules           10
Azure           4, 9
Sable           5, 8
Vert             6, 11
Purpure        7

I'm afraid I don't understand this scheme at all. I mean, I know that late medieval writers ranked the heraldic tinctures in a hierarchy, but none of the hierarchies I can recall put them in this kind of order. So I'm at a bit of a loss to understand this one.

Next up: Virtues!

Monday, January 18, 2016

Heraldry of the Decadence, Part 2


Or maybe this could be subtitled, "Ministry of Silly Blazons" or some other such Monty Python-esque title.

Anyway, having done planets and gemstones as alternatives to the usual names of the tinctures in English blazon, we turn to some of the even more esoteric (and never used) blazon schemes.

In an attempt to keep some of these various blazon schemes organized, here are four which are thematically linked: blazon by Signs of the Zodiac; Seasons and Times of Day; Months; and Days.

Yes, these have all actually been promoted by one heraldic author or another as a way, I have to assume, to make heraldry even more esoteric and difficult to understand.

Signs of the Zodiac:

Or               Leo
Argent         Cancer
Gules           Aries and Scorpio
Azure           Taurus and Libra
Sable           Capricorn and Amphora
Vert             Gemini and Virgo
Purpure        Sagittarius and Pisces

(The only advantage I can see to this scheme is that by having more than one sign of the Zodiac to use for the name of a color, you reduce the potential of having to repeat that tincture without resorting to the often-confusing "of the first," "of the second," "of the last," etc.)

Seasons and Times of Day:

Or               Noon
Argent         Morning
Gules           Autumn
Azure           Summer
Sable           Winter and Night
Vert             Spring
Purpure        Evening

Months:

Or               July
Argent         June
Gules           March and October
Azure           April and September
Sable           December and January
Vert             May and August
Purpure        November and February

(Here, too, we have the opportunity to not repeat the name of a tincture in a blazon. On the other hand, we have to remember two different names for each such color rather than one.)

Days:

Or               Sunday
Argent         Monday
Gules           Tuesday
Azure           Thursday
Sable           Saturday
Vert             Friday
Purpure        Wednesday

(Okay, here I can see Sunday and Saturday as Or and Argent, if only because they match the planets blazon scheme of Sol and Luna (sun and moon). But what makes Thursday blue? Or Friday green? I'm at a loss here.)

Thursday, January 14, 2016

Heraldry of the Decadence, Part 1


"The Decadence?" I hear some of you ask?  The entry for "Heraldry" in the Encyclopaedia Brittanica puts it this way:

Like all other human creations, heraldic art has reflected the changes of fashion. As heraldry advanced from its utilitarian usages, its artistic quality declined. In the 18th century, for example, heraldry described new arms in an absurdly obtuse manner and rendered them in an overly intricate style. Much of the heraldic art of the 17th to 19th centuries has earned that period the designation "the Decadence." It was not until the 20th century that heraldic art recovered a feeling for aesthetic beauty. 

What I am in the mood to cover, though, is a little less the heraldry of the Decadence than it is the blazon of the Decadence.

Over the years, from a number of different books about heraldry of varying degrees of antiquity, I have come across a number of different schemes for blazoning the tinctures of coats of arms. And I thought over the next little while, I would share some of these schemes with you.

Most of these blazon schemes were purely theoretical, but today, to start, I thought I would include the two which I have found in actual use by heraldic authors. These two schemes are blazon by jewels or gemstones, and blazon by planets. Jewels were used for blazoning the arms of the English nobility, and the planets (and dragon parts, from the constellation Draco) were used for blazoning the arms of sovereigns. Those schemes were as follows, with the common names of the tinctures on the left (gold/yellow, silver/white, red, blue, black, green, purple, tawny, and murrey, in order):

Gemstones:

Or               Topaz
Argent         Pearl
Gules           Ruby
Azure           Sapphire
Sable           Diamond
Vert             Emerald
Purpure        Amethyst
Tenné          Jacinth
Sanguine      Sardonyx

An example of this usage for blazon can be found in Guillim's A Display of Heraldrie (4th ed., 1660). Here is Guillim's blazon for the arms of Adam Loftus, Viscount Loftus of Ely: Diamond, a Chevron engrailed, Ermine, between three Treefoyles slipped, Pearl. (Or as we would blazon it using the standard tincture names, Sable a chevron ermine between three trefoils slipped argent.

Planets

Or               Sol
Argent         Luna
Gules           Mars
Azure          Jupiter
Sable           Saturn
Vert             Venus
Purpure        Mercury
Tenné          Dragon's head
Sanguine      Dragon's tail

William Berry in his An Introduction to Heraldry gives slightly differing names for some, and only includes the first five, tinctures, ignoring vert, sable, and the two stains.

Or               Soleil
Argent         Lune
Gules           Mars
Azure          Jupiter
Sable           Saturne

Guillim blazons the Royal Arms of Charles I "our late Soveraign" as:

Jupiter, three Flowers de lis, Sol, for the Regall Arms of France, quartered with the Imperiall Ensigns of England, that is to say, Mars, three Lyons passant gardant in pale Sol. Secondly, Sol, within a double Tressure Counter-flowred, a Lyon Rampand, Mars, for the Royall Arms of Scotland, Thirdly, Jupiter, an Irish Harpe, Sol, Stringed, Luna, for the Ensign of his Majesties Kingdom of Ireland. The fourth and last quarter in all points as the first.

Doesn't all this make you glad that you don't have to learn completely different names for the various colors used in heraldry, depending upon the rank of the armiger? Me, too.

Later on, I'll include some of the other, purely theoretical, blazon schemes, including signs of the Zodiac, months of the year, days of the week, elements, flowers, and four (count 'em, four!) different schemes using the names of various virtues for the tinctures.

Wednesday, June 10, 2009

A Good Article on Blazon

The post for June 10, 2009 over on Blog de Heráldica (http://blogdeheraldica.blogspot.com/) is a good one discussing the difficulties than can be caused by excessive rigor in blazon. To illustrate his points, the author uses two examples from Spanish heraldry: first of the growth in the number of serpent heads in cauldrons, from an original two (which were really just a decorative version of hooks for the handle to attach to) to four, to a whole bunch issuant from the cauldron itself; and then of the problems which have arisen from specifying the number of squares in a checky field.

I can highly recommend this article. For those of you who can read some Spanish, you can probably just pop on over there and read the article. For others, you might want to get a (_very_ rough) translation through AltaVista Translations (http://babelfish.yahoo.com/).

Thursday, April 2, 2009

Asking the Right Question

In a couple of the heraldry newsgroups I read regularly (and participate in occasionally), there have recently been questions about blazon, generally phrased this way:

"How would one blazon the line of division seen at [URL]?"

"The dexter third of a chief, appearing all by its lonesome, is a canton. What do you call the middle third when it's alone (like at the bottom of the page at [URL])?"

The presence of these two questions over a period of a couple of days, and some of the responses to them, started me thinking about whether the correct question was being asked. In these particular instances, the armory is German, and the armorials they come from are dated to the 15th and 16th centuries, but I have seen similar questions asked of arms from other countries and centuries. The bottom line here is that I think the wrong question is being asked. What is being asked is how would "one" blazon it, or what would "you" call it, with "one" and "you" being 21st century English-speaking, mostly American, heraldry enthusiasts.

Yet it seems to me that the right question to ask is "how did they blazon it?"

Admittedly, that is probably a more difficult question to answer. The armorials in these cases do not give blazons. It may be possible that by looking up the surname the arms might be found in J.-B. Rietstap’s Armorial Général, but even that would only tell you how he blazoned it in the late 19th century.

The answer to the real question involves asking a much smaller group of people and/or doing some serious book research. The smaller group of people would include those with some familiarity or expertise in the heraldry of the region from which the arms originate (admittedly, there is always the possibility that someone from this smaller group might read and be able to respond to the question, but that’s really a bit of a "hit or miss" proposition. You can’t always count on experts in a field of study seeing questions relating to that field in a more generalized newsgroup). The book research would involve looking through heraldic texts and dictionaries in the language of that region. In the two specific instances above, this would involve asking people familiar with German heraldry, specifically German heraldry of the Renaissance period, and consulting German heraldry texts and heraldic dictionaries. Not nearly as easy as posting a question to a modern, English-speaking newsgroup about how they would blazon such a coat, I realize, but one that would have a higher probability of answering the question that’s really being asked. That is to say, the right question.