Thursday, April 30, 2026

The Arms of Two Abbots


We have often seen in many countries along with the arms of a church establishment the arms of the man who leads it. For example, the arms of a bishop displayed in his diocesal seat; the arms of an archbishop in his archepiscopal seat. Here, in Göttweig Abbey, a Benedictine monastery near Furth bei Göttwei in Lower Austria, we find the arms of two of its Abbots.

First, we see the carved and painted arms of Abbot Gregor Heller (1648-1669), placed by themselves on an interior wall of the Abbey.


These arms would be blazoned: Quarterly: 1 and 4, Argent a fleur-de-lis vert; 2 and 3, Azure on a pale sable three bezants each charged with a cross couped sable; overall on an inescutcheon Or a fleur-de-lis vert.

I've not found these arms in any of "the usual suspects" (to borrow a line from the movie Casablanca): Rietstap's Armorial Général, Siebmacher's Wappenbuch von 1605, the Heraldry of the World website, and several others.

Next, and placed immediately above the Abbey's large organ, next to those of the Abbey we find the arms of Abbot Berthold Mayr (1689-1713). Abbot Mayr was a prominent leader of Göttweig Abbey, and is best known for commissioning a renowned panorama of the Danube Valley from artist Matthäus Küsel and significantly expanding the abbey's collections.


Here again, I've not found these arms in any of "the usual suspects" listed above.

My attempt at a blazon would be: Quarterly: 1, Gules a dove(?) atop argent atop a mount/hillock vert; 2, Gules a tree proper atop a terrace vert; 3, Gules three mullets(?) or; and 3, Gules on a bend sinister argent a (fleur-de-lis? bird volant?) or.

I'd love to know more about both of these coats of arms. If you know anything of their history or even just a better blazon, I'd love to have you share it with us here.

Monday, April 27, 2026

The Arms of a Historical Abbey in Austria


Near the little town of Furth bei Göttweig, Austria, is Göttweig Abbey (in German, Stift Göttweig). The Abbey is a Benedictine monastery in Lower Austria, founded in 1083 by Altmann, Bishop of Passau. In the Middle Ages the abbey was a seat of learning with a library and a monastic school. You can find out a lot more about its interesting, though somewhat checkered, history and huge library (among other things) on-line at https://en.wikipedia.org/wiki/Göttweig_Abbey

Unsurprisingly, especially given its long history, the Abbey has its own coat of arms, to be found in various places in and on the Abbey. Here is one example in the pediment over a gate leading into the building complex:


And here is another over a doorway inside:


A blazon would be: Gules a cross patty fitched at the foot argent issuant from a trimount issuant from base vert. (Or something very similar.)

If you compare the arms in the two photographs here, you will note some artistic differences between the cross on each one. The one over the gate is more a "classic" cross paty/formy, while the one over the inner doorway is more a Latin cross with the upper arms flared just at the ends.

That the Abbey is important to the town can be demonstrated by the fact that the arms of the Abbey are incorporated as a part of the town's arms, granted in 1984 (image from the website Heraldry of the World):


All in all, it's a very simple coat of arms that refers to the Abbey's long history as a Christian institution and to its physical location in the hills overlooking both the town and nearby Danube River.

Thursday, April 23, 2026

And ... We're Back to Vienna!


Returning you now to our look at some of the heraldry that my good friend Katie took for me while she was on her river cruise vacation, we're back in Vienna, looking at some of the armorial memorials on the exterior of St. Stephen's Cathedral there.

Where once again I find myself a bit hampered by the lack of any general armorials or ordinaries (books/publications useful for finding coats of arms) for the area. Still, with a little help from the TinyEye reverse image search website, and a whole lot of hunting around on the intertubes to see if I could find other pictures of these same memorials, ideally with more readable inscriptions, I was able to identify one of the two memorials in this picturec:


The memorial on the left is identified as that of Simon Rückhenbaum, d. 1643. Historical records of Vienna note a Simon Rückenbaum was a member of the Outer Council (äußerer Rath) and a captain in the Miedmerviertel district, active in 1649. Given that the Simon memorialized here died six years before that date, it is more likely that the Simon mentioned in the records was his son, or possibly some other close relative.

The arms carved at the base of the monument contain three roses on branches issuing from the center of a trimount in base. The crest is a demi-man vested and wearing a cap with a long feather in it, holding a branch blasted bendwise.

The memorial on the right is trickier: I've been unable to read the name, but in spite of the fact that the arms look to be identical to Rückhenbaum, the surname is definitely not the same, looking more like "Koobler" or "Bobler" or some other variant, but certainly not Rückhenbaum.

And while the arms are the same, the crest, too, is entirely different, consisting of six rose branches.

The arms, alas, do not appear in Rietstap's Armorial Général, and I have been unable to track them down in any of my other sources on hand.

It seems a shame, but appears to be all too common, that the guidebooks to a site (in this instance, a major cathedral), either in print or on-line, are written more for the general tourist than for someone with an interest in, say, the heraldry of the memorials displayed in or on that site.*  I have found this to be true in so very many places, whether I am visiting in person or via the internet.



* My greatest disappointment in this regard came during a visit some years ago to St. Paul's Cathedral in London, where they don't (or at least didn't at that time; apparently now, with some limitations, like no flash, it is now permissible) allow photographs down in the crypt. So I was unable to take a picture of the tomb of Admiral John Jellicoe which has his coat of arms carved into the top. (His arms are blazoned: Argent three bars wavy azure overall a whale hauriant sable, which I thought very appropriate for an Admiral of the Fleet.) But none of the guidebooks which can be purchased in the gift shop of the Cathedral had a picture of Lord Jellicoe's tomb and arms in them, either. I was most put out.

Monday, April 20, 2026

Military Heraldry and Flags at a Memorial


So there I was, just killing a little time in the wilds of Utah, waiting for the time for a memorial service to begin, and I thought I would drive around a bit to see what I could see.

Well, wouldn't you know it? One of the things to see that I ran across was the Orem City Cemetery. Now, in addition to being a heraldist, I am also a genealogist, so there was kind of a draw for me.

And as I was driving through the cemetery, I noticed a bunch of flags, which proved to be part of a veterans memorial there.


And here's an overview of the aforementioned flags.


Right in the center, from front to back, we have the flags of the United States Coast Guard, the United States Air Force, and the United States Navy. (And behind the pole on the right, the U.S. Marine Corps.)


And in this next photo, front to back and then left to right, the U.S. Merchant Marine, the U.S. Navy, the U.S. Marine Corps, and (harder to make out, but I couldn't get the wind to cooperate fully for me) the U.S. Army.


Finally, we have the flag of the U.S. Space Force, with the upper hoist corner of the POW-MIA flag in the lower right corner.


This is not to imply that all of these flags are truly heraldic. Indeed, the only one that could be said to be truly heraldic is the one with the coat of arms of the U.S. Air Force. Most of the rest display what are more like badges (e.g., the U.S. Marine Corps)* or even logos. Still, they are certainly heraldry-adjacent, and I have photographed all of these emblems before in various places (for example, on the capitol building grounds in Raleigh, North Carolina), and will no doubt continue to do so in the future as I see them.



* MAD Magazine way back in the 1960s (well, I'm certainly dating myself with that reference!) did some parodies of the service songs of the branches of the U.S. armed forces. (Well, not the Space Force, which was not in existence back then.) I had a little fun on this trip singing their version of The Marines Hymn to my former Marine nephew who was there. The tune remains the same; only the words have been changed to make it more "realistic."

From the neck high mud of fo-oxholes
To malaria-filled bogs,
We will march for ninety miles a day
And drop out and die like dogs.
We will land on mine-strewn be-eaches
And we'll live with snakes and fleas;
Then we'll all leave Parris Island** for
Restful combat overseas.

** Parris Island, a district in the city of Port Royal, South Carolina, has been the site of Marine Corps recruit training since 1915.

Thursday, April 16, 2026

A Diversion From One Person's Trip to Another


We're going to take a short break from reviewing the pictures of heraldry that my friend Katie sent me from her European cruise trip, and look at a little heraldry that I ran across in a short trip to Utah for a family funeral.

Okay, that last bit sounded funny. It was a funeral for someone in the family, not a funeral for the whole family. I just want to make that clear.

Anyway, there was some time after lunch on Saturday, and so my oldest daughter and her family took me to Moon's Rare Books ("A Museum Disguised As a Bookstore") up in Provo. (If you're really interested, you can find them on-line at https://moons-rare-books.myshopify.com/)* They do have an amazing collection of old and rare and newer and signed books there. Alas, they did not, while I was there, have any old heraldry books. The closest they came was a 17th Century peerage by William Dugdale, one time Garter Principal King of Arms at the College of Arms in London. I admit, it was a little tempting, even though it was a peerage and not heraldry per se, but they were asking more for it than I was willing to pay, and so I let it go back to its place on the shelf in the store.

But they did indeed have an interesting piece of heraldry in there! (Not that I was going to buy it; it was so big and heavy that I would have had more difficulty than it was worth get on the airplane home!) But it was sitting right out there for anyone to see, and so I asked if I could take a picture of it. And, gratefully, they said yes.

The object was this big, old, and heraldic iron fireback.**


What we see here, beneath the Royal Crown of France, are two shields: that to dexter (on the left), the Royal Arms of France; and that to sinister (the right as you look at it), the Arms of the Kingdom of Navarre. The two shields encircled by the collar of the Order of St. Michael inside the collar of the Order of the Holy Spirit.

This collection of symbols on the fireback indicate that it may date to the reign of King Henry IV (King of France 1589-1610, and King of Navarre 1572-1610) and Queen Margaret of Valois (Queen of Navarre 1572-1599).

The Order of St. Michael (the inner collar) was founded in 1469. The Order of the Holy Spirit (the outer collar) was founded in 1578 by King Henry III, Henry IV's father predecessor as king.

What an odd, and fun, practical piece of both history and heraldry to run across in a rare book store in the wilds of northern Utah!



* "Moon’s Rare Books is a museum disguised as a bookstore. We specialize in high points in literature (Shakespeare to J. R. R. Tolkien), Bibles from 1482-1899, early Utah and Mormon history, and pop culture (including movie props from Star Wars, Harry Potter, Lord of the Rings, Hunger Games, Indiana Jones and more). Fun for all ages."

**A fireback is a heavy cast-iron or steel plate placed against the rear wall of a fireplace to protect the masonry from heat damage, increase efficiency by reflecting heat back into the room, and to act as a decorative element. All the things that this one would, installed in a fireplace.

Monday, April 13, 2026

An Armorial Memorial in Vienna


Today's coats of arms come from a carved stone memorial mounted on the outside wall of St. Stephen’s Cathedral (German: Stephansdom), the main cathedral of Vienna. It stands in Stephansplatz in the 1st District (Innere Stadt) in the historic center of the city.

The memorial is one of several Renaissance-era memorial plaques set into the exterior walls of the cathedral. It is located along the north side of the nave, near one of the smaller side entrances, mounted high on the stone wall.

For centuries, grave markers and memorial epitaphs were embedded in the exterior walls of the cathedral because the churchyard cemetery once surrounded the building. When the cemetery was later removed, many stones remained built into the walls. I have seen such memorials mounted on the exterior walls of churches in other places, e.g., the Peterskirche (St. Peter's Church) in Heidelburg, Germany, where my great-grandfather was baptized.

But I digress. Here is the photograph that Katie took of this memorial:


The inscription is in two parts:

The shorter inscription on the small plaque above the two shields translates roughly into English as:

Those who die in God are blessed from now on. So that they all, who here in Christ fall asleep (die), shall be saved. (This is a paraphrase of Revelation 14:13 — a very common funerary text.)

The much longer inscription at the base of the monument translates roughly into English as:

To the honor of Almighty God and in special remembrance of the noble and learned lord Jacob Himmelreich Bieder, Doctor of Law of the Roman Emperor Ferdinand, city judge and also elder of the inner city council here in Vienna, who died on the 8th day of January in the year 1570, this epitaph was erected for the first lady of the house, Katherine née Freislebin, who passed away peacefully in God before the month of May 1555, and for her deceased children. This epitaph was erected by the aforementioned Count's retired son, Barthelm Himmelreich the expediter and tax assessor of the government of Archduke Charles of Austria, and Leopold Himmelreich, his brother, chamberlain to the Empress. May Almighty God, through Jesus Christ, raise them up again on the Last Day.

I have been unable to locate either the husband's or the wife's arms in the sources I have at hand. Not that I am surprised at this; armorials for German-speaking Europe and many and not easy to research; it often involves going though armorial after armorial page by page, and successful searches are pretty rare barring something like inclusion in J.-B. Rietstap's Armorial Général, which, alas, contains no arms for Bieder or Freislbin (or anything like it; yes, I know that often the "in" ending in German is a gender marker, i.e., "Mrs. Freisleb").

Herr Bieder's coat of arms (oh the left) appear to be: Quarterly: 1 and 4, An image of Atlas (a man dressed in a loincloth which is issuing a length of cloth to each side and bearing a globe of the world upon one shoulder); 2 and 3, A lion rampant. His wife Catherine's arms are:  A lion rampant maintaining in three paws a halberd.

The crests are: Issuant from a ducal coronet a crowned demi-man dressed in a loincloth which is issuing a length of cloth to each side between and holding a pair of buffalo horns/elephant's trunks each tipped with a comet (Bieder); Issuant from a ducal coronet a demi-lion erect mainting in its paws a halberd (Freislebin).

Still and all, though, I'm always grateful to be able to put a name to a coat of arms, or here, names to two coats of arms, whether or not we can determine the colors of the shield and its charges.

Thursday, April 9, 2026

The Emperor's Beasts?


Well, admittedly, I ask that question in the title above because of the well-known British "Queen's Beasts", various animals holding shields which appeared at Queen Elizabeth II's coronation at Westminster Abbey.

Anyway ....

Having sailed up the Danube from Bratislava to Vienna, Austria, my friend Katie took two pictures of what I like to think of as the "Emperor's Beasts", crowned lions holding shields of arms, just outside of and flanking the way up to the Schweizertor (Swiss Gate) of the Hofburg Palace there.

The Schweizertor is a historic Renaissance-style archway built between 1552-1553 under Emperor Ferdinand I. Recognized by its striking red and black design, it serves as the entrance to the Schweizerhof (Swiss Court) and connects it to the Innerer Burghof. It is a beautiful example of 16th-century fortification architecture.

The crown that each lion is shown wearing is, of course, the Crown of St. Stephen, the coronation crown used by the Kingdom of Hungary since the 12th Century.

This lion holds the very well-known arms of Austria (Österreich): Gules a fess argent.


Directly across from the first lion is this one, holding what I believe are the arms of Niederösterreich (Lower Austria): Azure five eagles displayed or.


That said, the arrangement of the birds (which don't especially look like eagles, more like the quail on the arms of Wachtler that we looked in our last post) on the shield is unusual: one, two, and two, rather than the more common two, two, and one. Now, this could, of course, simply be an error of the stonecarver. (I mean, I've seen some heraldic carvings that really didn't match the blazon of the arms closely at all!) Or not.

Niederösterreich was created as a Duchy in 1156 and became part of Austria in 1282. Around 1450 a large part, now mainly Oberosterreich, was removed from the Duchy.

The arms with the five eagles first appears in 1335, as the legendary arms of the H. Leopold, who originated from the area. Around 1360 Duke Rudolf IV adopted the eagles as the arms of Old Austria. Ever since the arms represented Niederösterreich in the ducal and imperial arms.

The arms were not officially granted until 1920.

And Vienna was the capital of Niederösterreich at least until the city became a separate state in 1921.

So all of this history leads me to believe that this shield is the arms of Niederösterreich, at least until someone can lead me to a different conclusion.

Do you have thoughts about these "Emperor's Beasts" and the coats of arms they hold?

Monday, April 6, 2026

Artificial Intelligence, Maybe Not Quite So Intelligent After All


At least not for correctly identifying coats of arms, anyway.

My on-going, and only partly successful, attempts to use artificial intelligence (AI) as an aid in the identification of coats of arms continues, with mixed results.

For today's coat of arms, photographed in Bratislava, Slovakia, it was eventually mostly successful, but only after several attempts where I had to keep double-checking everything it was trying to tell me, explain why what it said was incorrect, and have it try again.

I was asking AI for the specific building in Bratislava with this coat of arms above the doorway, and the name of the family whose coat it was.


AI did manage to give me the name of the building pretty quickly (naturally, I had told it that this building was in Bratislava, to enable it to narrow down its search).

It told me that this building is the "Palffy Palace, and is among the oldest historic sights in Bratislava. Detailed research in the interior discovered masonry from the first half of the 13th century. In 1988 the palace was taken over by the Bratislava City Gallery that holds here a range of permanent expositions and temporary exhibitions."

Super! Now I have an identification of the building.

For the arms, though, I had to go through several iterations with AI to get a good identification.

First it told me that the bird was an eagle (a close look at the arms makes this unlikely), and I had to keep guiding guiding it back on track to get it to finally produce an identification that not only made sense, but was also corroborated by other information on the internet.

This is what AI finally told me (my comments about its findings are contained in square brackets):

"It [the coat of arms] belongs to Bernhard Wachtler, a member of the Prešov city council. [I question this; Prešov is quite a distance from Bratislava. Other information I found about Bernhard tells me that Bernhard Wachtler (†1827) became a member of the city council of ... Bratislava, Slovakia in 1801.]

The Wachtler family was the owner of the palace from 1870 to 1945. [So the arms are in fact not those of this Bernhard; he died 43 years before the family owned the palace.] The coat of arms shows a quail holding a stalk in its beak. It is a so-called speaking [canting] coat of arms (quail, German: wachtl), which corresponds to the surname of its bearer. The crown above the coat of arms with five pearls (baronial) indicates that its bearer was a nobleman. [I decided not to get into a conversation with AI about this statement. I was looking for the identification of the arms, and not the family's status.] The Wachtlers were wealthy merchants and city officials, and owned or renovated several properties in central Bratislava."

I've not been able to find a blazon for the Wachtler arms in any of the usual suspects (most importantly, J-B Rietstap's Armorial Général). The field, presumably, is blue. The trimount in base, equally presumably, is green. The quail, likely silver, but possibly gold, and is either rising or displayed. I have not been able to identify the sprig in its beak; it appears to consist of a short branch with three or four leaves and what may be a couple of berries of some type on it. (Though this last could just by my misinterpretation of the way the carving looks.)

Be that as it may, with at least a fair bit of coaching and explaining and telling it outright that it was wrong, AI finally did come up with an accurate (mostly) identification of the arms over the doorway on the façade of the Palffy Palace in Bratislava, Slovakia.

My thanks once again to my friend Katie, who thought to take pictures of heraldry for me while on her river cruise through Europe.

Thursday, April 2, 2026

I Love My Friends. Artificial Intelligence, Not So Much


Late last year a friend of mine, Katie, returned from a two-week river cruise vacation in Europe, and here and there amidst all of the fun and good times she was having there, she thought to take some pictures of the coats of arms she saw there just for me!

And now, with her kind permission, I get to share some of her photos of heraldry with you.

The trick, of course, is to identify all of these coats of arms. "Ah,", I thought. "This could be a good trial of just how effective artificial intelligence can be in helping to identify at least the buildings, and likely the coats of arms carved on their facades."

Well, I was half right.

The first trial was this shot, taken in Bratislava, Slovakia.


I uploaded this photo to AI, and it quickly (and accurately; I checked) told me that this building is the Reduta, the historic home of the Slovak Philharmonic in Bratislava, Slovakia, built between 1913 and 1915.

Then I asked it specifically about the coats of arms above the doorway. (Alas, the oval cartouche in the center of the triangular pediment in the upper portion of this picture is blank. No arms or any other carving.)

It quickly and, again, accurately, identified the arms on the shield on the right as the coat of arms of the city of Bratislava: Gules a triple-towered castle argent roofed proper portcullised or. These arms have been used by the city since 1436.

However, regarding the arms in the oval frame on the left, AI flat out lied to me! It explained that the arms on the left were those of the Kingdom of Hungary.

A close look at the photograph above, and comparing to some other photographs of this doorway I found on-line, what I see there is not one, but four overlapping shields: Two behind and flanking, with eagles displayed; a larger one in the center, with looks like a pale, but I can’t see it clearly enough to be sure; and a smaller uppermost shield which looks a bit like Slovakia (or the sinister half of the arms of the Kingdom of Hungary). The Slovakian arms are a 20th century creation based on an existing 14th century Hungarian coat of arms in the seal of King Louis I of Hungary.

So, not a single shield with the arms of Hungary, but four shields with different charges on them, none of which appear to be the arms of Hungary.

But who am I going to believe, AI or my own eyes?

For some reason, I am reminded of Carol Kane playing Miracle Max's wife in The Princess Bride:

Liar! Liar!

Monday, March 30, 2026

A Heraldic "Stray" in Massachusetts


I have often said that "You can find heraldry everywhere," and my travels, both local and further away, still confirm that.

Nearing the end of my trip to Massachusetts last year, "visiting relatives, both living and dead," I found myself facing a commercial van with a heraldic flag on its rear door.


A few minutes of research upon arriving back home, and I learn that this is the heraldic banner (a flag of the coat of arms) of Sicily.

The arms of Sicily are blazoned, in Italian: Trinciato di rosso e d'oro alla triscele di carnagione, con il gorgoneion e le spighe al naturale.

My attempt at a blazon in English  is: Per bend gules and or a triskelion of legs surmounted by a Medusa’s face wreathed in ears of wheat all proper.

I had already known that there was a large Italian presence in the state; my father grew up in Milford hearing a lot of Italian being spoken, and a lot (as much as half, perhaps, though I haven't actually counted them) on the World War II Memorial listing the names of all the men from Milford who served in that war were of Italian origin.

Still, it was unexpected to see the arms of Sicily right there over the hood of my rental car! But again, "You can find heraldry everywhere!"

Thursday, March 26, 2026

A Final Armorial Tomb from Granary Burying Ground in Boston, Massachusetts


For our final tombstone with a coat of arms on it, we come to the tomb of Thomas Jackson.


The Heraldic Journal, Vol. II, p. 140, informs us: This tomb, situated next to the Quincy tomb in the easterly corner of the yard, is recorded as belonging to Thomas Jackson. The arms and motto seem to show that it was intended to be one of the coats recorded by Burke. These are all a fesse between three birds—in one case three shovellers; in another three shovellers, each charged wit6h a trefoil slipped; in a third three magpies; in a fourth three shell-drakes; in a fifth three falcons, close. The motto is given to the family at Beach Hill, co. Surrey, baronets, who have three shovellers charged with a trefoil. The coats have undoubtedly a common origin, and the family seems to have been settled chiefly in Yorkshire.

Preachers, Patriots & Plain Folks: Boston’s Burying Ground Guide to King’s Chapel, Granary and Central Cemeteries, by Charles C. and Suzanne Austin Wells, adds: Jonathan Jackson (1743-1810), ae 67, Loc Tomb 23, A-389. Continental Congress 1782, member of Constitutional Convention 1779, Treasurer of MA 1802, president of Boston Bank, now Bank of Boston 1803-1810.


Of the arms on the tomb, Bolton’s An American Armory tells us: Jackson. Gules a fess argent between three shovellers (tufted on the head and breast) argent (each charged with a trefoil slipped vert, on an inescutcheon the Badge of Ulster in chief.
        Crest: A shoveller.
        Motto: Innocentiæ securus (Secure in his innocence.)
        Thomas Jackson’s tomb, Granary Burying Ground, by Tremont Building, Boston. Stone is reinforced or reset. Arms of the baronets of Beach Hill, Co. Surrey. Heral. Jour., vol. 2, p. 140.

Crozier’s General Armory cites: Jackson. Massachusetts. Thomas Jackson, Boston. (Surrey.) Gules a fess between three shovellers tufted on the head and breast argent each charged with a trefoil slipped vert.
    Crest: A shoveller as in the arms.
    Motto: Innocentia securus.

Beyond what all these worthies have to say about the man, his tomb, and his heraldry, I cannot add much, beyond noting that the name "JACKSON" is inscribed underneath, and nearly as wide as, the arms.

And with this, we end our tour of heraldic memorials and tombs to be found in three old burying grounds in Boston, Massachusetts, which I was able to visit last year.

Monday, March 23, 2026

A "Freaky" Coat of Arms


You must pardon me for the pun in the title of this post. (Well, not necessarily "must", but I wish that you would.)

But whether you do or not, our next armoiral tombstone is that of John and Elizabeth Freke.


Again, it's not the greatest photograph, but I was limited in what I could do by having to stay on the paved paths.

The Heraldic Journal, Vol. II, pp. 130-131, says of this armorial tomb: “The Arms of John and Elizabeth Freke.” An examination of this stone satisfies us that the impaled coat is “on a bend, between three roundles as many swans,” which arms were borne by many family of Clarke. Hence we identify the persons here commemorated as John Freke, who m. in 1661, Elizabeth, dau. of Capt. Thomas Clark, by whom he had several children. He was a merchant, and was killed by an explosion on board a ship in Boston harbor, 4 May, 1675, ages less than 40 years. His widow m. Elisha Hutchinson.

Preachers, Patriots & Plain Folks: Boston’s Burying Ground Guide to King’s Chapel, Granary and Central Cemeteries, by Charles C. and Suzanne Austin Wells, adds the following information about this lady: Elizabeth (Clarke) Freake Hutchinson (1632-1712/3) is famous for her portrait with baby Mary at the Worcester Art Museum. Her father Thomas Clarke was a rich Boston merchant. She married merchant Thomas Freake and had 8 children. He was killed in 1675 in a ship explosion in Boston Harbor and was also the subject of a portrait also in Worchester [sic]. Next she married Elisha Hutchinson,* Ancient and Honorable Artillery Company, and had 5 or possibly 6 children. He was a wealthy North End merchant, owner of Hutchinson’s wharf, and who with two other merchants had a salt works near Roxbury. They were the great grandparents of Gov. Thomas Hutchinson, Royal governor just before the Revolution. All except Gov. Thomas are buried in Tomb 18 (next to John Molineux Tomb [in Granary Burying Ground]). Her funeral is noted in Judge Sewall’s diary.

In the photo below, I have tried to modify the perspective to give you a clearer view. It's still not really up to snuff, and you will want to click on the image to go to the full-size picture so that you can zoom in to see more detail.


Bolton’s An American Armory tells us: Freke. Sable two bars and in chief three mullets or, impaling: Argent(?) on a bend gules between three pellets as many swans argent(?) (Clarke).**
        Crest: A bull’s or talbot’s head sable collared or.
        “The armes of John and Elizabeth Freke.” She was the daughter of Major Thomas Clarke and married in 1661. He was killed in 1675. Granary Burying Ground, Boston, altar tomb. Heral. Jour., vol. 2, p. 130.

As I said in the title, a "Freaky" coat of arms.



* We have seen the Hutchinson arms in our recent (January 26, 2026) review of heraldic memorials in Copp’s Hill Burying Ground, Boston.

** This is a variant of the Clark/Clarke coat of arms that we recently saw up on Copp's Hill Burying Ground, which there was blazoned Argent a ragged staff bendwise between three roundels sable.

Thursday, March 19, 2026

An Important Tomb With an Unusual Coat of Arms


Our next armorial tomb in Granary Burying Ground in Boston, Massachusetts, is the table tomb of the Faneuil family.


The Heraldic Journal
, Vol. II, pp. 121-122, informs us about this family:

[T]he tomb of the Faneuils, which was probably erected by Andrew F., who died in 1737. This family, whose name is indelibly associated with Boston [e.g., the famous Faneuil Hall there], was of Huguenot origin. … It seems that in 1685, there were living in or near Rochelle, in France, three brothers and two sisters of the Faneuil family. These were Benjamin, Andrew, John, Susanna and Janes; of whom John and Susanna were Catholic, and remained at Rochelle, Jane was a Huguenot, married Pierre Cossart, and died in Ireland. Andrew settled in Boston, as early as 1709, and married, but had no children. He acquired a large fortune by commerce, which was left, at his death, in 1737, to his nephew Peter.
        Benjamin Faneuil, the other brother, married in 1699 to Anne Bureau, and settled at New Rochelle, N.Y., by whom he had eleven children. Of these the survivors were Peter; Benjamin; Anne, who m. Rev. Addington Davenport; Maray, wife of Gillam Phillips; Susanna, wife of James Boutineau; and Mary Anne, wife of John Jones.
        Peter Faneuil, so well known for his gift to the town of the public hall which bears his name, died unm. In 1743.
        Benjamin Faneuil, his brother, married, and had Benjamin, peter, and Mary, wife of George Bethune. He died October 1785.
        In regard to the arms here figured, we may note first, that they are on Andrew Faneuil’s will, and in that will he directs three pieces of plate to be given the French Church in Boston, “with the coat of arms and name of the donor engraven upon each of them.” Peter Faneuil also had these arms painted on his chariot, and engraven on his silver. With this distinct claim to a right we must remain content.

And Preachers, Patriots & Plain Folks: Boston’s Burying Ground Guide to King’s Chapel, Granary and Central Cemeteries, by Charles C. and Suzanne Austin Wells, tells us:

        Peter Faneuil (1700-1743), gave us Faneuil Hall. The “Jolly Bachelor,” was born in New Rochelle, NY, the oldest of 11 children. He came to Boston in 1719 to live with his rich uncle Andrew Faneuil (pronounced Funnel at that time) when his father died. Andrew’s businesses were trade in West India goods, imports from England, owning and building ships, Boston real estate, and probably slave trading. He was the richest man in Boston.
        When Andrew became incapacitated, Peter managed his affairs and, after his uncle died in 1738, he inherited all of his immense wealth and businesses. Peter became Boston’s richest resident and benefactor. In 1740, he contributed to the construction of King’s Chapel and was an early member, generous donor and trustee of the Boston Episcopal Charitable Society. He provided funds for Faneuil Hall, designed by his intimate friend and artist John Smibert. Peter Faneuil died suddenly March 3, 1742/3, unmarried.
        Tomb 138, loc. D-70, is his burial place. It hold a lot of other people: Uncle Andrew Faneuil; brother Benjamin and his family; and sisters Mary Ann Faneuil Jones, Anne Faneuil Davenport, Marie Faneuil Phillips, and their families. The “P. Furnal 1742” is a phonetic spelling of the name and it was also prounced “Fennel.”
        The Faneuils were all Tories and most went to England during the Revolution. However, the name Faneuil Hall is synonymous with the Independence movement because of all the meetings held there.

But of course it is the arms on the tomb that really catch our attention:


Bolton’s An American Armory cites this coat of arms as: Faneuil. A heart in the center, four six-pointed stars in chief, three like stars below the dexter star, all in pale, and a cross within an annulet in the sinister base.
        Crest: A martlet(?). (I personally don’t think so; click on the image above to take a closer look at its legs and feet.)
        Peter Faneuil’s box-tomb, 1743. Granary Burying Ground, Boston. Heral. Jour., vol. .2, p. 121.

The arms are most unusual in their assymetry and arrangement of charges. Indeed, I cannot recall seeing anything like this coat anywhere else, ever.

Researching further, Rietstap's Armorial Général does not have Faneuil listed, nor does the surname appear in the Index to d'Hozier's Armorial Général de France of 1696. The closest surname in the latter is le Fanu of Brittany and Caen.

So we have an important New England colonial family, with a coat of arms which they used at that time, but whose origins are somewhat cloudy. Or perhaps, just "lost in the mists of time."

Monday, March 16, 2026

The Armorial Tomb of the Rev. Joseph Eckley

Once again, The Heraldic Journal, Vol. II, pp. 128-129, gives us a lot of biographical and genealogical information about the owner of this tomb:


“The Rev. Joseph Eckley, D.D., was born in London 22 Oct., 1750, His father removing to New Jersey, about 1767, he was graduated at Princeton in 1772. He was ordained as the successor of Mr. Hunt at the Old South Church in Boston in 1779, and remained there till his death, 30 April, 1811.” Dr. Allen’s account, from which we collect these facts, furnishes other particulars of his ministerial labors.
        Mr. Eckley married Sarah Jeffries, and had three sons, Joseph, Thomas, and David.
        Joseph died unm. at Marblehead, about 1860.
        Thomas m. his cousin of the half blood, Julia Ann Jeffries, and had Julia Ann, now deceased; Sarah, wife of Prof. H. L. Eustis of Harvard College; and Elizabeth, wife of Thomas Rhett. David Eckley m. Caroline S., daughter of Jonathan Amory of Boston, and had Joseph S. of Buffalo, David, Edward (deceased), John L., William (deceased), Henry of Framingham, Arthur A. and Frances A. Mrs. Eckley died in June, 1866.

And Preachers, Patriots & Plain Folks: Boston’s Burying Ground Guide to King’s Chapel, Granary and Central Cemeteries, by Charles C. and Suzanne Austin Wells, adds: Rev. Joseph Eckley (1750-1811) ae 61, Loc Tomb 67, called “the evangelist,” he served 2nd Baptist Church 1790-1826 and edited the Baptist Missionary magazine for 23 years. Honorary degrees from Brown University and Union College.


Bolton’s An American Armory cites: Eckley. Gules three swords in fess paleways points upward argent hilts and pommels or the middle one surmounted by an inescutcheon bearing a dexter hand couped. (Given the usual heraldic defaults, this blazon could be made a little shorter: Gules three swords in fess proper, the central one surmounted by an inescutcheon bearing a dexter hand.)
        Crest: A dexter arm embowed and armed.
        Rev. Joseph Eckley, D.D. Box tomb, 1811, Granary Burying Ground, Boston. Heral. Jour., vol. 2, p. 128. These are the arms of Clarke of Salford, Co. Warwick, Baronet.

Researching Burke’s General Armory for Clarke of Salford, we find: Clarke (Salford, co. Warwick. See Woodchurch. These arms were confirmed as a quartering by the Deputies of Camden, Clarenceux, to Sir Simon Clarke, 19th in descent from Clarke Woodchurch, who m. Susan, dau. and heir of Henry Clarke). Gules three swords in pale argent. Crest—A fleur-de-lis per pale argent and sable.

Looking further for Woodchurch, we find only one: Woodchurch (Woodchurch, co. Kent). Gules three swords in pale argent.

Burke also cites: Clarke (Shirland, co. Nottingham, bart.). Gules three sword erect in pale argent hilts or. Crest—A hand couped at the wrist proper holding a sword as in the arms.

I am left thinking that there is more to it than what Bolton and Burke are showing us, because the crest on the Eckley tomb does not match either of the Clarke coats of arms cited. On the other hand, the only Eckley to be found in Burke matches neither the arms nor the crest shown here.

So we are left with a bit of a conundrum: where did the arms and crest on the Eckley tomb come from? I am at a loss to say.

Thursday, March 12, 2026

The Bowdoin Armorial Tomb


Of this next heraldic tomb, The Heraldic Journal, Vol. II, pp. 135-136, tells of this family:

        This stone is placed at the entrance of the Bowdoin tomb, and probably the arms were assumed on good authority. The family here originated with Pierre Baudoin, a physician of La Rochelle, who fled to Ireland, in 1685, on the revocation of the Edict of Nantes. Thence he came to Casco and Boston, where his name was translated into Peter Bowdoin, and after a prosperous career as a merchant, he died here in September, 1706. He had two sons, William, who left an only daughter who married her cousin James Bowdoin, and James. This James Bowdoin was one of the wealthiest men in Boston, a member of the Council, &c., and died 8 September, 1747. By his three wives, he had sons William and James, and three daughters.

Of James Bowdoin, Preachers, Patriots & Plain Folks: Boston’s Burying Ground Guide to King’s Chapel, Granary and Central Cemeteries, by Charles C. and Suzanne Austin Wells, tells us:

        Hon. James Bowdoin (1726-1790), ae 64, Loc B-T6, 2nd MA Gov. 1785-87. Owned extensive lands in Main and Boston. Bowdoin College in Brunswick, ME, is named in his honor. A friend of Benjamin Franklin, he was the 1st president of American Academy of Arts & Sciences 1780-90. Also 1st president of present-day Bank of Boston. As governor, he was even handed in his treatment of the participants in Shays’ Rebellion in 1786 in Western MA, much to the opposition of Samuel Adams who advocated harsh punishment. His marker has the Bowdoin Coat of Arms. Son James Jr (1753-1811), graduate of Harvard and Oxford, was minister to Spain and associate minister to the French court. Interest in agriculture, he bred fine horses and cattle.  


The inscription below the arms reads: “Hon. James Bowdoin first of that name built this tomb before 1744 probably much earlier. In it were buried perhaps Pierre Baudouin the Hugueot without doubt Gov. James Bowdoin of Revolutionary memory and numerous other members of the Bowdoin family.

Bolton’s An American Armory cites: Bowdoin. Azure a chevron or between three teazels* proper.
        Crest: A swan. (The “swan’s” wings are elevated and addorsed, and it appears to be “vulning itself.” Is this depiction really supposed to be “a pelican in it’s piety”? Asking for a friend.)



* "Teazel bird" refers primarily to the European Goldfinch, which is famous for feeding on the seeds of the Teasel plant during winter. These birds use their specialized, slender beaks to extract seeds from the spiky, dried seed heads.

See, the things you might never know if not for reading this blog!

Monday, March 9, 2026

How Do You Spell "Lazenby"?


I have often been heard to state that spelling in times past was a bit more "flexible" that it is today. But back then, people wrote down what they heard, rather than worrying overmuch about a specific spelling of a name. The example from my own family history that I like to use is the varying colonial era spellings of one particular surname: Bigelow. The spellings for that name run the gamut from the very short Biglo to the much longer than necessary Biggalough.

The Heraldic Journal, Vol. II, pp. 129-130, gives us a lot of biographical and genealogical information about the person memorialized in the next tombstone (along with two of my own explanatory footnotes):

        Mr. Joseph Lasinby, Died Sept. 9th 1774 Aged 80 years. The family of Leasonbee, Lasenbee, Lasinby, or however the name may be varied, is, we believe, not recorded by Savage.[*] Still, Thomas and Mercy L. of Boston had born here, Thomas, 21 January, 1688; Benjamin, 27 August, 1691; Joseph, 20 August, 1694; Mary, 22 April, 1696, and Margaret, 5 March, 1699. Thomas probably d. about 5 April, 1717, when his will is dated. His widow Mercy survived till near 30 December, 1732, when the heirs signed a division of their father’s estate. These were Thomas L. and Zeruiah his wife, Joseph L. and wife Elizabeth, widow Mercy Bant, and Mary, wife of Alexander Chamberlain.
        Thomas and Zeruiah Lazenby had a son Thomas, born 31 March, 1725, who died apparently in 1746, when his father administered his estate.
        Joseph Lazenby m. 1st, Mary Proctor, 29 April, 1719, and had Joseph, b. 6 February, 1720; Mary, 26 May, 1721; Mary, 29 December 1722;[**] Benjamin, 10 June, 1724; Benjamin, 26 March, 1726; Elizabeth, 3 June, 1727; Samuel, 19 June, 1728; Mary, 11 August 1729.[**] His wife d. 6 November, 1730, aged 37. He m. 2d, Elizabeth Farmer, 1 July, 1731, and had Benjamin, b. 29 September, 1732; Thomas, b. 19 February, 1733-4; Mary, 3 October, 1735.
        He died, as above shown, 9 September, 1774.


Per The Heraldic Journal, the motto scroll reads “By the Name of Lazinby” (Alas, even enlarging the picture above sufficiently does not give us enough clarity to read the scroll. Again, a downside to having to stay on the paved paths in the burying ground and photographing the heraldry from a distance.)

Bolton’s An American Armory cites: Lasinby. Gules a fess between three cushions argent tasselled or overall a bend sable goutty d’or.
        Crest: A demi-unicorn holding a heart.

His citation is this stone in this burying ground. “’By the name of Lazinby.’ Joseph Lasinby of Boston d. 1774, aged 80 years, Granary Burying Ground, Park St. wall, Boston. Heral. Jour., vol. 2, p. 129.”



* A Genealogical Dictionary of the First Settlers of New England, Showing Three Generations of Those Who Came Before May, 1692, by James Savage, former President of the Massachusetts Historical Society (originally published in Boston, 1860-1862).

** When a child died, its name was usually given to the next-born child of the same sex. This occurred in New England in 80% of all cases where another baby of the same sex was born following the death of a child. Here in the Lazenby family, you can see that this occurred twice.

Thursday, March 5, 2026

A BIG Armorial Memorial in Granary Burying Ground, Boston


One of the largest memorials, with heraldry or not, in Granary Burying Ground in Boston, Massachusetts, is that memorializing John Hancock.


I trust that I don’t really have to give you the biography of John Hancock, the Massachusetts merchant (and smuggler) whose signature appears so large on the Declaration of Independence. If you want to know more about him, he has his own (very long) entry in Wikipedia, at https://en.wikipedia.org/wiki/John_Hancock

That article also has a color image of his coat of arms.

The monolith here is clearly not contemporaneous with Mr. Hancock’s death, being plainly 20th century in style. But above the bust of Mr. Hancock, at its top it has the carved Hancock coat of arms, complete with crest and motto.


Bolton’s An American Armory cites: Hancock. Gules a dexter hand couped erect on a chief argent three cocks gules.
        Crest: A cock gules holding a dexter hand couped at the wrist argent.

And Crozier’s General Armory cites: Hancock. Massachusetts. Nathaniel Hancock, Cambridge, 1652. Gules a hand couped and erect on a chief argent three cocks gules.
        Crest: A cock gules holding a dexter hand couped at the wrist argent.

The crest on the monument differs from those cited, being A demi-griffin wings elevated and addorsed. Oddly, the demi-griffin issues from a torse of seven twists, rather than the usual six.

The motto underneath the arms reads Obsta principiis, "Contrary to principles". I'm not sure what that is supposed to mean. I am tempted to read it as a misspelling of Obsta principis (with a single instead of a double "i"), which translates as "Contrary to the prince", which certainly fits well with Mr. Hancock's participation in the Americn Revolution as being "contrary to the Prince" in the person of King George III.

Monday, March 2, 2026

An Armorial Memorial in Granary Burying Ground, Boston


Having completed our review of the armorial headstones and memorials outside and inside King's Chapel in Boston, Massachusetts, we move now a few blocks away to Granary Burying Ground.

The burying ground is a bit of a tourist trap, owing to a number of famous individuals buried there; John Hancock (whose memorial we will see shortly), Benjamin Franklin's parents, the slain in the Boston Massacre of 1770, Paul Revere, Samuel Adams, General Dr. Joseph Warren, and a number of others. So what was at the time I visited it, off-season and on a weekday, Granary Burying Ground was full of tourists and tourist guides, leaving me feeling just a little claustrophobic. (The burying ground really isn't all that large: it's only about two acres total in size, with a little over 2,300 grave markers for an estimated 5,000-6,000 interments there.

That said, I was able to get some good photographs of many of the armorial headstones and tombstones in Granary Burying Ground, even with all of the foot traffic there being restricted to the paved paths, which don't always let you get that close to the heraldry to be found there.

The first armorial headstone is that of Richard Sears. (You will probably want to click on the image below to go to the full-size photograph to get some greater detail. As I said, I was having to take pictures from the paved paths, and thus not always as close as I would have liked to be to the heraldry.)


The Heraldic Journal, Vol. II, pp. 137-140, tells us of the family: "Though we do not know the date of this inscribed slab, we presume it has been placed here during the present [19th] century. From information, now made public, we learn that the emigrant ancestor of the Sears family was Richard Sears of Yarmouth, Mass., who died in 1676. He was born in Holland, and was the son of John Bourchieer Sears, by his wife Marie L., dau. of Philippe Van Egmonde of Amsterdam.
        "Richard Sears of Yarmouth had sons Knyvet, Paul, and Silas, of whom Knyvet died in England in 1686, at the residence of his relative Catherine, daughter of Sir John Knyvet. By wife Elizabeth Dimoke he had a son Daniel, b. in 1682, who had three sons, Richard and David, both killed at Culloden, and Daniel, b. in 1719. This Daniel, by wife Fear Freeman, had sons Richard and Daniel, whose lines are extinct, and David, b. in 1752, who was a great purchaser of lands in Maine, and married Ann Winthrop. His only son is Hon. David Sears of Boston, who married Miriam Clarke, dau. of Hon. Jona. Mason. Mr. Sears is too well known in Boston to render any sketch of his public services necessary. He has had ten children."

Bolton’s An American Armory gives us the colors of the arms: Sears. Gules a chevron argent between three eagles (or pewits) proper on a chief ermine an escallop between two mullets gules.
        Crest: An eagle displayed wings inverted.

And Crozier’s General Armory cites: Sears. Massachusetts. Richard Sears Plymouth, 1630. (Colchester, Essex.) Gules a chevron argent between three eaglets proper on a chief ermine an escallop between two mullets argent.
        Crest: An eagle displayed wings inverted proper.
        Mottoes: (1) Exaltat humiles. (2) Honor et fides.

While the motto on the belt surrounding the shield reads “Exaltat humiles,” I believe that it should be: Exaltavit humiles (He hath exalted the humble). But what do I know?

Thursday, February 26, 2026

A Final Amorial Memorial in King's Chapel, Boston, Massachusetts


As we have seen over the past few weeks, there is a lot of history, and heraldry, among the memorials inside King's Chapel in Boston. Today, we're going to look at one final memorial before moving on.


The pamphlet King’s Chapel: Historical Notes, Guide to the Monuments, Present Activities (1935), gives us the following information: "Monument to Samuel Vassall. 'A London Merchant.' A defender of freedom in England in the 17th century. His father 'the gallant ]ohn Vassall,' in 1588 fitted out at his own expense, and commanded, two ships which fought against the Spanish Armada. The descendants built the house on Brattle Street, Cambridge, which was afterwards the home of Longfellow. They were royalists and left New England at the time of the Revolution. Some of the family were buried under the monument. It was erected by Florentius Vassall, of ]amaica, in 1766."

The long inscription on the base of the monument reads (and here I have transcribed the "long s" which looks a bit like an "f", as the modern "short s", to make reading it easier on my readers):

Sacred to the Memory of
SAMUEL VASSALL Esq. of LONDON Merchant,
one of the original proprietors of the lands
of this Country;
a steady & undaunted
assertor of the Liberties of ENGLAND.
In 1638
he was the first who boldly refused to submit to the Tax
of Tonnage & Poundage,
an unconstitutional claim of the CROWN
abitrarily imposed:
For which (to the ruin of his family)
his goods were seized & his person imprisoned by the
Star Chamber Court.
He was chosen to represent the City of
LONDON,
in two successive Parliaments, which met Apr. 13 & Nov. 3
1640.
The Parliament in July 1641 voted him
£10,445 . 12 . 2
for his Damages,
and resolved that he should be further considered
for his personal Sufferings:
But the rage of the times & the neglect of
proper applications since,
have left to his family only the honour of that
Vote & Resolution.
He was one of the largest Subscribers
to raise money
against the Rebels in IRELAND:
all these facts may be seen in the Journals
of the House of Commons.
He was the Son of
the gallant JOHN VASSAL,
who in 1588
at his own Expence, fitted out & commended two Ships of War
with which he joined the Royal Navy
to oppose
The SPANISH ARMADA.

This monument was erected by his great grandson
FLORENTIUS VASSAL Esq.
of the island of JAMAICA, now residing in ENGLAND
May 1766.

Okay, that's a lot of history! Want more? The Heraldic Journal, Vol. II, pp. 15-18 not only transcribes the inscription I have done above, but gives a genealogy of the Vassall family from Samuel (here) and his brother, William, and their descendants, as well as noting an augmentation of arms to the third great-grandson of Samuel, Col. Spencer-Thomas Vassall, for his service at Montevideo.

And there is also no dearth of information about the coat of arms on this monument:


Bolton’s American Armory cites: "Vassall. Azure in chief a sun in splendor, in base a chalice or. Crest: A ship, sails furled, pointing to the dexter. Motto: Pro Republica semper. Monument erected to Samuel Vassall, M.P. by his great grandson, Florentius Vassal of Jamaica and New England, 1766. King’s Chapel, Boston, West end."

Crozier’s General Armory tells us: Vassall, Massachusetts. Leonard Vassall, Boston, 1723 (London). Azure, in chief a sun; in base a chalice or. Crest—A ship rigged and masted proper. Motto—Saepe pro Rege, semper pro Republica.

And finally, in Burke’s General Armory, we find: "Vassall (New England; descended from John Vassall, Alderman of London, who equipped and commanded two ships of war against the Spanish Armada. The senior male line has become extinct, but is represented in the female line by the descendants of two of the children of Florentius Vassall, viz., Elizabeth, daughter and heiress of Richard Vassall, Esq., of Jamaica, who m. Henry Richard, third Baron Holland, and Elizabeth Vassall, m. Hon. John Barrington, son of John, first Viscount Barrington). Azure in chief a sun, in base a chalice or. Crest—A ship rigged and masted proper. Motto—Sæpe pro Rege, semper pro Republica."

The Latin motto (of which only an abbreviated version is found on the monument, on the green ribbon along the base of the circular arms, as cited by Bolton, above) translates to "Often for the king, always for the state."

Whew! Is that enough history, and heraldry, for you? It is for me, too! (Well, at least for today, anyway.)

Come back next time, when we'll walk down a few blocks from King's Chapel and look at some of the heraldry to be found in Boston's Granary Burying Ground.

Monday, February 23, 2026

Whose Crest Is This?


Our next armorial memorial contains a conundrum. It contains at the top a very prominent crest (at least I am assuming it is a crest, as it sits above a torse of six twists), but I have been unable to locate this crest anywhere.


The inscription on the memorial reads:

In Memory Of
William Endicott
1826-1914
A Gentleman in civil life
distinguished for
conspicuous loyalty in the War
which preserved the Union
and destroyed slavery
His Companions
of the Commandery
of the State of Massachusetts
of the
Military Order of the Loyal Legion
of the United States
Have here placed this tablet
Lex regit arma tuentur

The Latin at the bottom translates as: The law governs, weapons protect.

The dates match, but I don’t know if this is the same William Endicott: “William Endicott, Jr. was born on 4 January 1826, in Beverly, Massachusetts, to his father, William Endicott and his mother, Joanna L. Rantoul Endicott. He married Annie Thorndike Rand on 31 March 1857, in Boston, Massachusetts. They were the parents of at least 1 son and 2 daughters. He died on 7 November 1914, in Boston, Massachusetts, at the age of 88, and was buried in Central Cemetery, Beverly, Massachusetts.”

The Military Order of the Loyal Legion of the United States (MOLLUS), is a military fraternity organized on April 15, 1865, by three veteran officers of the Union Army. The original membership was consisted of commissioned officers of the Regular or Volunteer Army, U.S. Navy, U.S. Marine Corps, or the U.S. Revenue Cutter Service who served during the American Civil War or who had served and thereafter been commissioned and who thereby had aided in maintaining the honor, integrity, and supremacy of the national movement during the Civil War. Today, the Order serves as a hereditary society (male relatives of eligible officers) rather than as a functioning military order (though many Companions are either military veterans or on active military duty). (Wikipedia)*

You will notice the medal of MOLLUS at the base of the tablet.

Because the tablet was erected by MOLLUS, made plain both in the text and by the use of the medal, I have to assume that William Endicott was a commissioned officer in the Union forces during the Civil War, but I have been unable to find a record of his service in that conflict.

Be that as it may, we are here to look at the heraldry at the top of the tablet:


This crest, as nearly as I can make it out: Above a torse, an eagle standing on a shield wings elevated and addorsed maintaining in its dexter talons a laurel branch and in its sinister a sheaf of arrows above the word “America” all within an arch of 13 mullets.

I can find no information on this crest. The emblem is not that of MOLLUS, which uses an eagle displayed holding arrows and laurel, as on their medal here:


The posture of the eagle standing on a shield with wings elevated and addorsed reminds me of, but isn't, the coat of arms of the State of Illinois:


I can find no Endicott/Endecott in Burke’s General Armory, nor in Fairbairn’s Crests, so I can only assume it is not a crest belonging to the family.

Given the patriotic look of it, my best guess for this crest is that it was something used by the Massachusetts Commandery of MOLLUS at some time. However, it does not appear on their website, and so I cannot confirm that speculation. But it's the leading hypothesis I have at this time.



* I don’t get to join, except perhaps as an associate rather than an hereditary member; none of my ancestors ever achieved a rank higher than Sergeant, though a second cousin, six times removed was Brevet Major General Rufus Ingalls, Chief Quartermaster of the Army of the Potomac from August 1862.


Thursday, February 19, 2026

An Armorial Memorial With a Link to a Famous New England Author


Our next heraldic memorial speaks much of this man's membership and activity in the church of King's Chapel, but very little about his life outside of that, and gives no mention of his famous granddaughter.


The inscription reads:

JOSEPH MAY,
Born in Boston, March 25 1760, died Feb. 27 1841.
A member of this church during nearly sixty years,
and one of its Wardens for more than thirty,
He was one of those who voted in 1785 to revise the liturgy
and subsequently to ordain as Rector the Reverend James Freeman,
whereby this became an independent church,
His love for this church was constant and peculiar,
His attachment to its worship intelligent and life-ling,
and his devotion to its interests was unwavering,
of inflexible integrity, exact, untiring, unselfish,
firm in the Christian faith,
sustained by an animating hope,
and in charity generous, patient and judicious,
'He might have been traced
through every quarter of the city by the footprints of
his benefactions.'

On a more genealogical note, Col. Joseph May was born on 25 March 1760, in Boston, Suffolk, Massachusetts Bay Colony, to Samuel May, and  Abigail (Williams) May. He married Dorothy J. Sewall on 28 December 1784, in Boston, Massachusetts. They were the parents of at least 7 sons and 6 daughters. He died on 27 February 1841, in Boston, Massachusetts, at the age of 80, and was buried in a family tomb in Central Burying Ground in Boston.

He was the maternal grandfather of famous New England author Louisa May Alcott (Little Women, Little Men, and many more), through his daughter Abby, who married Amos Bronson Alcott.


The arms at the top of the monument are uncolored and not deeply carved in the stone; that they are not well lit in the chapel adds to the difficulty in making them out clearly.

Fortunately for us, we have several sources that can shed sufficient light of them.

Bolton’s American Armory cites: “May. Gules a fess argent between eight billets sable(?), four in chief and four in base. The billets are tricked sanguine and are properly or.” “Wall tablet to Joseph May, 1760-1841, King’s Chapel, Boston.”

Crozier’s General Armory: “May. Massachusetts. John May, Roxbury, 1640. (Mayfield, Co. Waterford.) Gules a fess between eight billets, four in chief and four in base or.”

And finally, in Burke’s General Armory: May (Faunt, co. Sussex; Thomas May, temp. Edward IV. Visit. Leicester, 1619). Gules a fess between eight billets or.