A microscopic piece of heraldry necessarily stands condemned, because it merely pretends to hint that the owner thinks himself a person of distinction, instead of performing the true function of enabling the casual observer to identify the owner. Monograms and unostentatious heraldry are therefor the badge of the parvenu, and such heraldry is usually bogus. Genuine arms are almost always displayed boldly and beautifully at every possible opportunity, indoors and out. --
Thomas Innes of Learney, Scots Heraldry, pp. 161-162
I'm an Academic Herald. I'm not a "real" herald; I don't register people's coats of arms (though I can certainly suggest designs for those who might be interested). What I do is study, research, teach, and write about heraldry. And I like to share what I have learned about heraldry, hence this blog. I hope that you'll find it informative, interesting at least occasionally, and worth your time to come back. Got a question? Comments? Feel free to let me know. I'd love to hear from you. You can find my contact information in my Profile.
This is what happens when an heraldic artist has never seen anything more than a very rough description of an heraldic beast when painting ...
Genealogical Speakers Guild
Genealogical Speakers Guild
Monday, June 4, 2012
Heraldry in the Blogosphere
There’s a post over on the Australian-based blog FeltySurface from April 15 that is entitled “The Origins of Branding – Heraldry in contemporary Australia” that is of interest. The author, Michelle Tabet, talks about heraldry in relationship to the modern business concept of “branding.” (As opposed to the cattle ranching concept of branding, as described in Hot Irons: Heraldry of the Range by Oren Arnold and John Prentiss Hale. It's a great book - I have a copy in my heraldic library - but it's not quite the same kind of "branding.")
One comment in particular that she made really stuck with me: “The coat of arms is an aspirational composition of symbols and mottos that is meant to simultaneous[ly] define and guide the destiny of a place, person or family, how very similar to the way we use brands!”
And another: “To some extent, I gather that it is the historic value of the heraldry that make[s] it so special and worth coveting.” Indeed so (in my opinion).
Her blog post arose from a conversation with a friend of hers and their discussion with the Knox City Council on brand strategy. The City has the following coat of arms:
Which coat of arms she notes is appropriate for a largely rural 19th Century community, but does it still work for a 21st Century urban one?
She gives Dan the final word, or at least questions, for her readers (and now, mine) to ponder: “Why do we use medieval, 18th or 19th century institutions and customs to solve 21st century problems? What scope for reform is there within this categorical mismatch?”