Still Finding Heraldry Everywhere! - Part 1

I had the opportunity earlier this month to attend the monthly meeting of the Quilters' Guild of Dallas at their new "home", Spring Valley United Methodist Church in northern Dallas, Texas.

I'm not a quilter myself, but my late wife was, and I was hoping to find new homes from some quilts that she had "rescued" from various garage sales and antique malls. She just couldn't stand the thought of quilts that someone had put their heart, soul, and time into creating being sold away from the creator's family, so she "adopted" them. She's gone now, and while I'm keeping three of her rescued quilts, I needed to try to find new homes for the others, and the Quilters' Guild seemed, and was, a likely place to do that.

Anyway, the meeting was in the multipurpose room of the church, Wesley Hall, which has a row of stained glass windows down each side of the room. With shields on them.

There are fourteen of these windows in the hall, but two of them (the ones on the left in the above photo) are plain; one is Gules and the next one is Or. Ah, but the others!

I suspected from the start that the shields in these windows represented the Twelve Apostles from the New Testament of the Bible. And, sure enough, in less than ten minutes research after getting home and looking at the pictures I took, I learned that that hunch was indeed correct!

So today, we're going to look at the first six windows, beginning on this side of the room. 

Saint Paul: A sword, symbolizing his martyrdom (beheading). Also often (as here) depicted with a book or scroll, representing his writings in the New Testament. St. Paul has been here substituted for St. Matthias, whose symbols were an open book surmounted by an axe. The axe refers to his martyrdom. St. Matthias was chosen to replace Judas Iscariot.

Next, we have Saint Peter: Two crossed keys, representing his role as the keeper of the keys to the Kingdom of Heaven and his authority. Sometimes (as here) depicted with an upside-down cross, signifying his martyrdom. The keys refer to the keys of Heaven, and the inverted cross refers to Peter’s crucifixion.

The next window is Saint James the Greater, with his scallop shells, often associated with pilgrimage, particularly by sea. St. James was the first to go on a missionary journey.

The next window is Saint John. His symbol is a chalice with a snake, referencing a story of a poisoned cup he was offered. (He is sometimes shown as an eagle, symbolizing his gospel's focus on the divinity of Christ.)

Saint John is followed by Saint Philip: Two baskets of loaves of bread and a cross, referencing the miracle of the loaves and fishes.

And finally, rounding out the first six Apostles symbolized in these windows, we have Saint Andrew: An X-shaped cross (also known in heraldry as a saltire), on which he was crucified.

Next time, we'll look at the windows and emblems of the remaining six Apostles.

Marshalled Arms

It's always interesting to see marshalled arms -- where two coats of arms are placed side-by-side on a single shield -- and to then determine whose arms and why they are placed together.

Often, of course, indeed, probably the vast majority of cases, it is the arms of a husband and wife which are so combined. Sometimes, even, over the course of several generations, like this example from the Turberville family of Dorset, England.

But periodically, and not infrequently, we find marshalled arms that are a combination of an office which carries armorial status (e.g., an ecclesiastical office of high rank, an officer of arms, certain civic or corporate entities, etc.) with the personal arms of the incumbent.

And today, we' re going to look at one of those.

This is a stained glass window in Westminster Abbey containing the impaled arms blazoned: Azure a cross patonce between five martlets or, on a chief or a pale quarterly France and England between two roses gules barbed and seeded proper; impaling Argent on a bend azure three stag’s heads cabossed or (Stanley).

The arms on the dexter (left as you look at it) side of the shield are those of, naturally enough, Westminster Abbey.

The arms on the sinister (right) side are those of Arthur Penrhyn Stanley (1815-1881), known as Dean Stanley, who held the position of Dean of Westminster from 1864 to 1881.

He was, we are told, a significant figure in the Abbey's history, known for his leadership as a Broad Churchman and author of works on Church History and Westminster Abbey. During his tenure, the Abbey saw a period of reform and expanded its national role. He oversaw the expansion of the Abbey's national role, gave a major impulse to the practice of inviting distinguished preachers to the Abbey pulpit, and worked to preserve and repair its many monuments. He is buried in the Abbey with his wife, Lady Augusta Stanley.

So, a significant figure in the history of the Abbey, and a really nice display of marshalled arms!

An Older Westminster Coat of Arms

We looked at the arms of the City of Westminster, Borough of London, England in our last post. But did you know that Westminster had an earlier, different coat of arms?

It did, and it can still be seen today.

This building is 22, Tavistock Street, Covent Garden, London.

Its current occupant is Charles Fox, suppliers of professional make-up for Film, Theatre, Television & Fashion. Charles Fox himself was reputed to be a flamboyant character and much of his character also exists in the shop to these times.

But the building is also the former headquarters of the Strand District Board of Works. And the heraldry over the door attests to that. (If you click on the image below, you will be taken to the full-size, and thus more detailed, photograph.)

The legend reads around the central six-petalled rosette reads: The Board of Works for the Strand District 1855

And right smack dab in the center, we find the arms of the old Borough (not City) of Westminster surrounded by six monograms. At that time, in 1855, there were some 55 members of the Board; I don’t know for certain whose monograms these are.

The arms of the Borough are blazoned: Azure a portcullis on a chief or on a pale azure a cross flory between five martlets or (being the arms of King Edward the Confessor) between two Tudor roses proper.

So, similar to the current arms of the City of Westminster, though less complex. The only feature of them remaining the same is the charged chief.

Still and all, it's pleasant to be able to find in graphic form the history and development of a city's coat of arms right there still on its streets and byways.

Don't you agree?

They're Everywhere, They're Everywhere!

And who is this "they" of whom I speak in the title of this post?

Why, the arms of the City of Westminster, Borough of London, England, of course.

What did you think I meant?

Anyway, you can find the arms of the City of Westminster displayed in lots of different places there. For instance, on the facade of the Westminster Archives Center.

The arms are (as you can see) fairly complicated, and have a long blazon: Azure between two wolves' heads erased argent and on a base wavy argent and azure a female figure affronty vested and mantled and on her sinister arm a child also vested around the head of each a halo all or on a chief or on a pale azure a cross flory between five martlets or (being the arms of King Edward the Confessor) between two Tudor roses barbed and seeded proper. (In the above image, the gold seems to have faded out to nearly white. That's what you get for leaving it out in the weather, I guess.)

But there are other, more commonplace, places to see the City's arms. For example, on each post in a line of bollards:

Here's a close-up for greater detail:

And, of course, there is the always ubiquitous* litter bin:

With the close-up of the arms:

It is nice to see a city using its coat of arms, even if they are rather complex.

* Ubiquitous: "present, appearing, or found everywhere". Hence the inspiration for the title of this post.

"This Used to Be Ours, and Don't You Forget It"

Covent Garden Market in London had its beginning in 1835 when a patent was issued to hold a “public fair or mart” in the area of Richmond, Dundas and King Streets. In 1845, the Market found a permanent home when city business owners donated land near Richmond, Dundas and King Street.

The Russell family, as Dukes of Bedford, historically owned and developed much of the Covent Garden area, including the land where the market stands.

The coat of arms prominently displayed on the historic Covent Garden Market in London are those of the Russell family, Dukes of Bedford. The Market building itself was built between 1828 and 1831 for the 6th Duke of Bedford, John Russell, by the architect Charles Fowler.

The Duke of Bedford's coat of arms is blazoned: Argent a lion rampant gules on a chief sable three escallops argent. Here the shield is ensigned with the coronet of a duke. The motto is Che sara sara (What will be, will be).

In essence, the coat of arms serves as a reminder of the Russell family's significant historical connection to Covent Garden and their role in the creation and development of the famous market.

Does Goldsmith = Treasurer?

Well, according to the dictionary definitions, a goldsmith and a treasurer are not the same. However, "both roles may involve some degree of interaction with valuable assets or financial matters," so there's that.

And why did this question even arise? Well, because I walked past the Goldsmith Building in London, and photographed the coat of arms adorning its facade, that's why.

In researching both the building and the heraldry, I found that the Goldsmith Building is legal chambers, built in 1861 to the design of James Piers St Aubyn. (The attic story was added in the early 20th century.) It was built on the site immediately to the north of Temple Church, then known as Church Yard Court. The architect, James Piers St Aubyn (1815-95), who was known primarily as a church architect, was surveyor to the Middle Temple from 1815-95. He designed several buildings in the Temple, and undertook the restoration of Temple Church in 1862. The chambers were named after the author Oliver Goldsmith (1730-44) who was resident of the Temple and is buried in the Temple churchyard.

So, nothing to do with actual goldsmiths, then.  

But it turns out that James Anderson was the Treasurer of the Middle Temple in the mid-1800s, when the Goldsmith Building was constructed. Hence,  I presume, the reason for his coat of arms being placed so prominently there.

I did not find the arms of James Anderson in my researches, though Burke's General Armory gave two which are very close:

Anderson (Dowhill). Argent a saltire engrailed sable between a crescent in chief and three mullets in the flanks and base gules all within a bordure azure.

Anderson (Edinburgh). Argent a saltire engrailed sable between a crescent in chief and three mullets gules pierced of the field two in fess and one in base.

Other Andersons listed in Burke all bear variants (as this one is) of the base coat Argent a saltire engrailed sable between four mullets gules.

All in all, an interesting heraldic find with a bit of a story to tell. I'm glad I ran across it when we were in London.

What Is This Coat of Arms Doing on an American Television Show?

I sometimes catch an episode or two of an American court TV show called "Court Cam" on A&E, the "Arts and Entertainment Network."

I watch it because, just like one of the police shows I watch, "On Patrol Live" (which I like to subtitle: "Or, a Series of Unfortunate Decisions"), it makes me feel ever so much better about my own somewhat humdrum, rather boring life. I mean, I clearly do not face the issues that a lot of these folks are having to deal with, which are often of their own making. Did you ever watch someone who was maybe, at most, going to get a traffic ticket, somehow talk and/or act themselves into a felony arrest? That has never, ever, happened to me, nor is it likely to occur at any time in my future.

Anyway, as I was saying, I occasionally catch an episode of "Court Cam", and have noticed that they use a few stock photos of courtroom interiors during the show. And it was one of these courtroom photos, which they seem to use about once each episode, that caught my eye. Because it is most definitely not an American courtroom.

See if you can tell what I mean:

Some of you may see it right away. For others, click on the image above to go to the full-size screenshot in more detail.

Right away, as a heraldry enthusiast, I noticed that the coat of arms over the judge's seat is not the arms of the United States, nor that of any of its constituent states. No, those are the arms of the Republic of South Africa! And to help confirm that, the flag is the corner on the right is, yes indeed, the flag of the Republic of South Africa.

I'm guessing that some poor assistant or intern was asked by the producers of "Court Cam" to find some pictures of courtroom interiors that A&E could obtain rights for that they could use as filler material in the show. And, presumably that individual didn't understand that this particular courtroom interior was not that of any courtroom anywhere in the United States of America, which is what the rest of the program is all about.

Still, I'm probably only one out of, what: thousands? millions? of viewers who would notice something like that. And yet -- it still jars me just a little bit every time I see it.

How do you feel about it?

Reel Heraldry

In recent months, I've been checking the Turner Classic Movies channel every week looking for movies which I have never seen before, but which I believe I should have. And they manage to air a couple of movies each week which meet that standard. For example, last month I saw The Searchers for the first time. Another week, it was Hang 'Em High. Then it was The Bedford Incident with Richard Widmark, Martin Balsam, and Sidney Poitier. And more recently, I saw1953's Roman Holiday with Gregory Peck and Audrey Hepburn. So like I say, movies I have never seen but which I think I ought to have.

Anyway, at one point, a large plane from the unnamed English-speaking kingdom that Hepburn's princess comes from lands at the Rome, Italy airport and discharges a bunch of men who are there to search for her because she's gone AWOL and they want her back.

Be that as it may, it is clear that although Princess Ann's home country apparently speaks only English, she is definitely not from the United Kingdom, as the coat of arms on the side of the airplane clearly demonstrates:

Though the movie was shot in black and white, I can make some guesses as to the tinctures used here. My best guess at a blazon would be: Quarterly: 1, Quarterly gules and argent a griffin segreant sable; 2, Argent (or Or?) three fleurs-de-lis palewise in bend sable; 3, Azure an eagle displayed or; 4, Sable a cross of Lorraine argent; overall on a point pointed ployé [or embowed] argent an estoile [or perhaps sun] or.

Anyway, it was a fun little movie to watch, and I can now say that I have seen it.

And, too, it is proof once again, that you can find heraldry everywhere! Even if it's only a fictional coat of arms appearing for all of four seconds in a late-night showing of an old movie.

One Memorial, Two Coats of Arms

London, England, is a sightseers paradise as far as monuments go. You can hardly walk more than a block or two without finding another monument.

For example:

And that's just the top of the monument! Here's the base:

You just have to know it's big when you can't get the entire height on a single photo!

Yes, those are coats of arms hanging from the wreath encircling the marble upright pole. I was distracted by the lions and coats of arms on the pedestal, and so failed to take a close-up of them when I was there. And the detail is not sufficient to identify them upon enlarging the above picture. The same situation appears on each of the photographs of this monument that I have found on-line. Sorry about that! If I ever get to return to London, I will make it a point to circle the monument and get detailed photos of those shields.

But, yeah, this is what was distracting me:

The entire construction is the Lord Raglan Memorial Column, situated, as you can tell from the first two pictures, not far from the Parliament Buildings.

FitzRoy James Henry Somerset, 1st Baron Raglan of Raglan, Field Marshal in the Army, G.C.B., and commander-in-chief of the army in the Crimea (1788-1855). He was the youngest son of Henry, 5th Duke of Beaufort, and raised to the peerage as Baron Raglan 26 October 1852. He was aide-de-camp and military secretary to Field-Marshal Arthur Wellesley, 1st Duke of Wellington, in the Peninsula and France, and was present and lost an arm at the Battle of Waterloo. (It is he for whom the Raglan sleeve is so named.) He became a Field-Marshal in 1854, and died 28 June 1855 during the siege of Sebastopol, Crimea.

His arms, which appear on the monument, are: Quarterly France and England within a bordure compony argent and azure (Somerset).

We have seen these arms before, in Cambridge, in the arms of Christ’s College and of St. John’s College, both of whom use the arms of their founder, Margaret Beaufort, Countess of Richmond and Derby. The House of Beaufort continues to exist in an illegitimate line descended from Charles Somerset, 1st Earl of Worcester, the illegitimate son of Henry Beaufort, 3rd Duke of Somerset.

So are these the arms of Beaufort, or the arms of Somerset? The possibly confusing answer is: Yes. With the bonus that they are also the arms of Christ’s College, Cambridge, and of St. John’s College, Cambridge. Do we fully understand English heraldry yet? No. No, we do not.

There is another coat of arms at the base of the column:

Here's a closer view:

These arms are, of course, those of the Westminster Abbey, Azure a cross patonce between five martlets and on a chief or a pale quarterly France modern and England between two Tudor roses barbed and seeded proper, which we have seen before in this blog.

All in all, quite an impressive, and heraldic, memorial.

Heraldry in the Wild, Redux

So there I was, just driving back to the gym on a rainy Monday morning, and ended up at a stop light herer in beautiful suburban Duncanville, Texas, behind a car with heraldry on its license plate.

I thought the arms looked somewhat familiar, but not having a whole lot of time to think it all through (the traffic lights at that intersection cycle through pretty quickly, so there's not much time to waste there), I quickly grabbed my phone and grabbed a photograph before the light changed.

Looking at it on my computer later, I felt almost certain that I had seen that coat of arms before.

The arms are, of course, those of the sorority Delta Sigma Theta.

Taking that identification and looking through my files (I keep a folder on my PC that contains pictures of heraldry that I have taken and identified over the years, making it much easier to see if indeed I have seen a particular coat of arms before, whether in the same or a different location), wouldn't you know? I had seen them before, on a different car, in a different (but nearby) city, Cedar Hill, Texas.

You can see what I had to say about that particular find in my post on this blog dated May 28, 2025, found here: http://blog.appletonstudios.com/2025/05/heraldry-in-wild.html

All in all, an interesting coincidence, that I would see the arms of this sorority on two different cars in two different cities on two different dates.

But I am most grateful that we now own phones that take pictures, so that when we're waiting at a stoplight and see a piece of heraldry, we can grab a shot of it before the light changes and we all have to drive off.

One Bank, Two Heraldic Logos

Well, technically, I suppose, it's not just "one bank", as one of the two was merged, with other banks, into the other.

But still ... they are both on the same building, so there's that.

Wandering about the busy streets of London, photographing about every piece of heraldry I could see, I came to Fleet Street, and a building with the following two armorial signs hanging from its facade.

This is the quasi-heraldic logo of Goslings Bank. If I were to offer to blazon this sign, it would turn out to be something like: Or three red squirrels sejant erect one and two, the lower two addorsed, each cracking a nut proper.

That is, squirrels doing what squirrels do:

Fitting symbols for a bank, I think, implying both thrift and saving up for the future.

Goslings Bank was a historical English private bank, located since at least 1743 at No. 19 Fleet Street, London, and identified to customers by a hanging signboard depicting three squirrels.

The bank originated in the business of Henry Pinckney, a goldsmith-banker who began trading in about 1650 at the sign of the Three Squirrels. The business passed through various hands until it came under the sole ownership of Thomas Ward, following the death of his partner in 1742. Benjamin Sharpe was a clerk at the Bank and was taken into partnership in 1794 and the name of the firm was changed to the Goslings and Sharpe. In 1896, Goslings and Sharpe became one of the twenty constituent banks that merged to form Barclay and Company.

The Goslings name is perpetuated by Barclays Bank as part of the group's history, and in several practical ways. The three squirrels sign is still maintained outside the Fleet Street branch at 19 Fleet Street, and the Goslings name is still printed on cheques issued at that branch, as it has been since the 1896 merger.

So, Goslings Bank having been merged into Barclays Bank, here we have the older version of the Barclays Bank logo, Argent an eagle displayed sable charged with three crowns argent.

We have seen the newer Barclays logo in our travels to York, which is basically An eagle displayed azure, sometimes on a black field, as in this photo.

Anyway, it's nice to see that the history of the building and its resident bank(s) is still preserved out here on the streets of London, England.

Just sayin'.

A Couple of Heraldic "Strays" in London

I swear, sometimes you just don't know what you're going to find someplace. No, really! Something unexpected, in an unexpected place.

For example, I ran across a foreign shield in, of all places, the Supreme Court Building in London.

I know that it was in the Supreme Court Building, because this is the photograph I took as we entered:

See? "The Supreme Court" big as life.

Anyway, down a hall in the interior, we came across this shield:

Now, I know what you're saying. You're thinking, "Wait a minute! Isn't that the arms of the kingdom of Norway?"

Why, yes. Yes, it is. And I have no doubt that there is a good reason for its placement here. But it is certainly not what I was expecting when I walked in through the doors!

You either, I suppose.

Anyway, a little later and a little ways down the street, up pops another, clearly non-English, coat of arms.

A scarf with the arms of the Football Club of Barcelona, Spain! (I love their motto: "More than a club.")

I have to admit, I have seen these arms more than once over the years, and never, having not traveled to Barcelona or even Spain yet, where I expect to find them. I've seen them on a couple of different vehicles here in the Dallas, Texas area (see the photo immediately below for one example), and now I've seen them in London, England.

Admittedly, though, they probably shouldn't have been as complete a surprise as they were here in London, as this was a street vendor selling, among other things, other football paraphernalia. For example:

The logo/heraldry of the Chelsea Football Club. Admittedly, this last makes more sense to me, since, unless my education has severely let me down, Chelsea is actually in England!

But for Norway and for the Football Club of Barcelona, I have to admit to some surprise at running across these heraldic "strays" so far away from their native home, and here in London, England.

Once Again, the Ubiquitous Empty Shield

No trip to Victoria, British Columbia, could be complete without at least mentioning the queen of Victoria's Inner Harbor, the historic luxury hotel, The Empress.

And, indeed, it is quite an imposing building.

But for all of the money spent in designing, creating, and building this impressive edifice, with a full range of possibilities for heraldic display, did they decide to go with a row of five plain, unadorned (except for the foliage surrounding them), and empty shields?

Once again, I find myself saddened by the missed opportunity for a display of actual heraldry that could have been used to add just that "little bit more" to an historic building.

What could have been added there? For starters, how about the arms of the Empress for whom the hotel, not to mention the city in which it resides, is named? Why not place the arms of Queen Victoria prominently here on the facade of the building?

Why not the arms of the Province of British Columbia? The arms of Canada? The personal arms of whoever was Lieutenant Governor at the time of the hotel's construction? Or those of one or more prominent Victoria personages?

But the most important question, at least to me, is: Why, oh why, create a motif that is so very clearly meant to invoke the aura and charm, the mystery and wonder, of heraldry, but include no actual heraldry in it?

Once again I found myself tempted to get a long ladder and a few quarts of paint, and "fix it." I didn't actually do that, but I sure wanted to!

Real Heraldry or Reel Heraldry?

Finding myself with a lot more "free" time in the evenings that I used to have, I set myself the goal of watching a bunch of old movies that I haven't seen before but which I feel like I ought to have seen.

Some of these old movies that I've been watching are more what I would call "general interest", like The Good, The Bad, and the Ugly, or The Lady from Shanghai. I know, right? Shocking that I haven't seen them before now. But there you go.

Others, though, interest me as a historian, and as an academic herald, and as a long-time reviewer of movies set in the Renaissance, Middle Ages, or earlier. (Though I have retired from writing any new reviews of such movies I may run across, each month I publish a re-run of an earlier review. These can be found on my website at http://www.appletonstudios.com/movies2.htm)

Anyway, it was while watching one of these historical movies, 1936's Mary of Scotland, starring Katherine Hepburn in the title role, Frederic March, and Florence Eldridge as Queen Elizabeth, that I noticed the heraldically-decorated ceiling in one scene and snapped a screenshot:

Nice, right?

I already know that it’s a lot to ask, that a movie made back in the 1930s would use real heraldry instead of something just made up to add “ambience” to the movie set. Still, I thought I recognized at least a couple of the coats of arms in this ceiling, and so started doing some research.

I began by doing some research to find out where the movie was shot, because if it was shot on location, then perhaps I could find out where this ceiling is and obtain information about the arms here. As it turns out, though, this movie was filmed back in the days when location shots were deemed way to expensive, and Mary of Scotland was filmed on the RKO Studios lot in California.

Still, having recognized some of the arms shown here, I thought maybe someone had done some real research to make accurate coats of arms for this painted ceiling, so I pulled out a bunch of my Scottish heraldry books, most notably the facsimile rolls of arms produced by the Heraldry Society of Scotland, to see what I could find.

Alas, there are more shields here than I have been able to positively identify, or even provisionally identify, but still:

In the ceiling, beginning with the top row, the third shield from the left is the very well-known arms of Campbell, Earl of Argyll (Quarterly: 1 and 4, Gyronny argent and sable (Campbell); 2 and 3, Or a galley rigged and sail furled sable (Lordship of Lorne))

The fourth shield in that row is Graham, Earl of Montrose (Quarterly: 1 and 4, Or on a chief sable three escallops or (Graham); 2 and 3, Argent three roses gules (Earldom of Montrose))

In the second row, the fourth shield from the left is Hay, Lord Yester (Quarterly: 1 and 4, Sable three cinquefoils argent pierced (Fraser of Oliver Castle); 2 and 3, Gules two bars argent (Gifford of Yester), overall an inescutcheon Or three escutcheons azure (Hay of Locherworth))

In the third row from the top, the third shield from the left is either Bruce of Clackmannan or Bruce of Airth (Or a saltire and on a chief gules in dexter a mullet or)

And the fourth shield from the left in that row may be Elphinstone, Lord Elphinstone, but the tinctures of charges seems to be reversed (Argent a chevron sable between three boar’s heads couped gules)

Now, the fact that I could not definitively identify any of the other coats of arms in this movie backlot ceiling doesn't mean that they aren't real coats of arms. Indeed, there are a couple of them I feel like I have seen before. But are they Scottish arms? Or English? Or from somewhere else? I have no idea, and there is very little additional information to go on which could lead to further research. A color picture would be of immense assistance, but even though this is in grainy black and white, it's certainly possible to guess as some of the colors here. And, of course, the resolution of the image makes it hard to even determine what some of the charges are supposed to be. For example, the first shield in the second row; what are the charges around the chevron? Are they roses? Are they leopard's faces? Or are they some other, roughly roundish, items?

But I've only got so much "free" time, and at least some of that is now being taken up in watching old movies that I haven't seen yet but feel that I ought to have, so I am posting this picture from this movie with the few identifications that I have been able to make. These identifications help support my original feelings on seeing them that they are real coats of arms; I just don't know whose, or from whence they originate.

If you happen to recognize any of these shields (and you can always click on the screenshot above to see the larger and thus more detailed image), please feel free to put your identification into a comment below. The more information we can get about these arms, the better we can determine if they are all Real Heraldry, or Reel Heraldry.

Portraits and Arms of Lieutenant Governors of British Columbia, Part 2

Finishing off our review of the portraits and coats of arms of recent Lieutenant Governors of British Columbia in the hallway at Government House, Victoria, BC, we have the following:

Col. Iona Campagnolo, Lieutenant-Governor 2001-2007. Azure two pallets wavy, overall a double arched bridge Argent masoned Azure. https://en.wikipedia.org/wiki/Iona_Campagnolo

Steven L. Point, Lieutenant-Governor 2007-2012. Azure a serpent with a head at each end in base respectant Argent its back enarched and set with fusils Sable, in chief five mullets in chevron Or. The double-headed serpent emblem was given to him by his father, who was from the Musqueam Indian Band. The five stars allude to the Five Star canoe club, which was named after a constellation of stars important to his people. In forming a chevron, they come to a point, making an allusion to his name. https://en.wikipedia.org/wiki/Steven_Point

Judith Guichon, Lieutenant-Governor 2012-2018. Vert a base enarched Or overall a bluebunch wheatgrass plant eradicated counterchanged. https://en.wikipedia.org/wiki/Judith_Guichon

Janet Austin, Lieutenant-Governor 2018-2025. Azure on a chevron engrailed between three Latin crosses Or, three roses Gules barbed Vert seeded Or. https://en.wikipedia.org/wiki/Janet_Austin

And this ends not only our look at the portraits and coats of arms of seven recent Lieutenant Governors, but also our review of the heraldry found and photographed in Government House, Victoria, British Columbia, Canada.

Next time, who know where we'll be? Wherever it is, there will be heraldry to see!